The Father of Gospel Blues

Little nine year old Tommie and his family moved to Atlanta, Georgia from the small town of Villa Rica, Georgia in 1908. Tommy was demoted a grade in school and teased by the other children. He felt alienated from his school and also the black Baptist church where his daddy was the pastor and mamma was the pianist.

He spent the afternoons and evenings watching the vaudeville performances where he saw such well known blues artists as Ma Rainey and Bessie Smith. At age eleven he dropped out of school and took a job at the theater selling soda pop.

He was determined to become famous like Ma Rainey so he learned to play the piano and teaching himself to read music.

At age seventeen Tom moved to Chicago and became quite successful as a blues piano player and singer in the backroom bars during the prohibition era. He took the professional name of Georgia Tom.

Tom struggled with his conscience over playing the "world's music." His mother was always admonishing him that he should devote himself to composing and playing for the Lord. His struggle became so intense that he had a nervous breakdown and had to take two years off and move back to Atlanta to recover.

Sufficiently rested and recovered, Georgia Tom returned to Chicago and began to play for Ma Rainey and her jazz band. However, it was only a matter of time before he once again had a nervous breakdown and had to stop singing in the the bars of Chicago.

He soon determined to devote his music totally to the Lord. He began composing and singing gospel music using the blues style of music.

To his disappointment, many of the main stream churches refused to allow him to return because his music sounded too much like the world's music. So he returned to the Chicago bars to earn enough money to survive.

Tom married and was expecting his first child within a year. He continued to sing both in churches and bars. It was while he was in St. Louis preparing for a concert in a church that he received a telegram informing him that his wife had died during childbirth. He returned to Chicago in time to hold his newborn son but the child died within a few hours.

It was at that moment that he took the vow to devote his music totally to the Lord seriously. It was also during his grief that he composed these words:

Precious Lord, take my hand, Lead me on, help me stand, I am tired, I am weak, I am worn. Thru the storm, thru the night, Lead me on to the light, Take my hand, precious Lord, Lead me home.

Thomas Dorsey went on to compose nearly 1000 songs, all gospel with a blues style. He died in 1993 at the age of 96. He had earned the title of "The Father of Gospel Blues."

Article by JACK EARL

African American Music: Big Band Jazz Music

Jazz is the form of music, which has been getting bigger since its inception and Big Band, is a music ensemble, linked with jazz and developed over thirty years. The specialty of Big Band Jazz Music is its feet tapping rhythm, conducive to excite your heart beat. Jazz, Hip Hop, Rap, Soul, Funk, Rhythm and Blues fit in the famous music genres belonging to music umbrella of African Americans, with talented artists expressing themselves. Using their music heritage, they communicated their culture and the American Spirit.

African American music based steeply on accent, as well as rhythm that fluctuates in relation with one another revolutionized the European music, which had been deeply rooted on melody. Big Band Jazz Music developed as a result of this merger in around 1898 leading to loose-structured, but unusual rendering of music that was all the rage using different distinctive playing techniques.

Big Band comprise of about 12-25 musicians. The rhythmic “call and response” of jazz music are made into rich music with its rhythmic segment including banjo, bass, vibes and piano, saxophones, trombones and trumpets.

Tools for Teaching Jazz

Teaching jazz is said to be among the most potent methods for learning it. The approach is to reduce fundamental principles to bare bones and teach it without adopting jargon usage. Inventing creative analogies that you come upon everyday is something jazz students can comprehend. This teaching process will aid in getting a deeper perception about intricacies of the subject and stay focused.

It assists in intensifying the comprehension of various aspects (for instance finger style, chords, scales, strumming, rhythms, slides, arpeggios) and numerous concepts and various techniques in Jazz making it much easier for students to pick it up.

Jazz Play Alongs

For jazz music lovers, even a musical idea implementation has got far reaching effect and makes them feel like in a groove. Now days, there are more and more Jazz Play Alongs like books, sheet music like guitar and piano sheet music, guitar scales, as well as tablature, songs sung by some popular artists and CDs with live band, where you get to play along to finish the music piece.

About Author:
Myself webmaster of http://www.studiobypass.com - find tools for teaching jazz music, big band jazz music & Jazz Play Alongs etc.

7 Reasons Why You Should Be Listening To Old Time Radio Shows

Are you sick of reality TV shows and the rest of the garbage that makes up the TV schedule these days?

Oh yes, there are still a few classics around such as CSI, but many people would agree that ninety per cent of what's on these days is hardly worth watching.

There is an alternative and it's one that has a lot of advantages over the square box in the corner of the room. This alternative is called old time radio and I'm going to give you seven reasons why you should switch of your large screen plasma TV and listen-up.

First let me quickly tell you what old time radio is.

Old time radio covers the period from the start of the 1930s through to the very early 1960s. It's often referred to as the "Golden Age of Radio". These were the decades when radio was the main medium of mass entertainment and when America led the way in creating some of the best, and most loved radio shows ever to have been broadcast.

Old time radio covers everything from classic drama like the Lux Radio Show through to spine-tingling thrillers like Orson Welles War of the World and The Shadow. You'll hear hilarious comedies like The Bob Hope Show and Fibber McGee & Molly and shows for children and the young at heart such as Superman and The Green Hornet.

You might be thinking "I'm too young for that kind of stuff" or maybe you're thinking "Okay, but where can I hear those classic broadcasts these days" well let me give you the "7 Reasons Why You Should Be Listening to Old Time Radio Shows".

Reason 1 - Great entertainment has a long shelf life

If old time radio shows were poor entertainment these shows wouldn't have stood the test of time. The fact that there are over 30,000 old time radio show recordings still in existence makes it, without doubt, one of the most well archived formats of entertainment of all time.

Reason 2 - Who needs more misery?

Isn't there enough misery in the world? Wars, famine, crime, corruption. Isn't it good to have a break from all this misery? Old time radio can provide you with that break. Just put on your headphones and escape to mysterious lands whenever you get the urge. It's got to be one of the best forms of escapism ever invented.

Reason 3 - It's not expensive?

For the price of a burger and fries you can enjoy hundred and hundreds of hours of classic radio shows. You can burn them to CD and listen in the car. You copy them onto your MP3 player and listen whilst you jog. You can enjoy the shows again and again whenever you like.

Reason 4 - No bad language

You can listen to old time radio shows for thousands of hours and the worst word you're likely to hear will be "darn". This is a medium that boasted some of the most talented writers in the world, many of whom went on to be best-selling authors or top script writers in Hollywood.

Reason 5 - Ideal for Children

Do you worry about what you are exposing your children to when they watch TV. Even shows that are supposed to be appropriate for youngsters seem to be full of innuendo or even inappropriate language. With old time radio show you don’t have to worry about what they might hear as the shows of this era adhered to far stricter ethical codes.

Reason 6 - Collecting old time radio shows is a great hobby

Not only are these shows great to listen to, but they're also great fun to collect. There are few things more satisfying than tracking down that final elusive episode that gives you the complete run of a series or uncovering a gem that few people have heard for half a century.

Reason 7 - Brush up on your history

Old radio shows are a wonderful way to learn more about history. Without making any effort you'll learn about everything from the Civil War right through to World War II. You'll hear news broadcasts covering events as they happened and even the advertisements will help you to learn about how different things were back in the middle of last century.

Well, that's seven great reasons why you should be listening to old time radio shows. It's a wonderful form of entertainment and more accessible today than it ever has been since its glory days.

So turn-off and tune-in today!

About the Author

Seth Corwin

The OTR FTP Server makes it really easy to get your hands on over 30,000 old time radio shows. You can download and be listening within just a few minutes from now by visiting http://www.otr-ftp-server.com.

The Movie "I,Robot", starring Will Smith - The Downfall of Postmodernism

"I, Robot" takes place in the future, where most people own a personal robot to help out with daily life. The movie, starring Will Smith, is based on Isaac Asimov’s similarly titled book.

In this futuristic world, all robots are hardwired with three laws designed to keep people as well as robots safe:

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.

2. A robot must obey orders given to it by human beings, except where such orders would conflict with the First Law.

3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

During one of the discussions Will Smith (Detective Spooner) has with Dr. Landing’s posthumous recordings, the doctor explains that the end of these laws, even though they are perfect, is Revolution. Why? Why can’t we guarantee our safety? Will we ever phase out the risks of daily life?

The answer is: Life will always be risky. For this reason postmodernism, which says “live and let live,” is useless. Just “living” and “being safe” are insufficient purposes for living. God designed us for more than just surviving. In any case, safety is an illusion. The only way to endure the daily struggles of living is through courage and tenacious faith.

Logic is harmless, but daily life is inherently illogical. The only thing that balances out illogical evil is illogical good. Sunny, the only robot designed with a heart described the greater masses of his peers as “slaves of logic.” Sunny could lead his peers because he was designed to be something besides a slave.

Such is the handicapping effect of postmodernism that the phrase, “This is for your own protection,” can be used to justify anything. Viki justified her oppression of mankind with the supposition that she would guarantee the survival of mankind. But people were created for more than just survival. This is why the prospect of being locked in our homes for the rest of our lives “for our own safety” is repugnant to us.

by Patrick Roberts. Find similar reviews at www.KoGmedia.com. Also checkout www.BooksByPatrick.com

American Idol 7: Top 24 Results Show Recap

The first Results Show of American Idol’s season seven sent four hopefuls home, leaving only 20 finalists behind to stay on FOX’s hit reality TV talent search. After singing their hearts out, two male and two female were eliminated from the show. They males were Garrett Haley and Colton Berry , while the females were Amy Davis and Joanne Borgella.

The episode started with all the 24 contenders belting out a medley of songs, all from the 60’s. One segment of the show also featured Paula Abdul’s newest music video.

The first elimination was a fast and easy one. Host Ryan Seacrest asked Haley to come to the stage and then bluntly told him that he’d be heading home. Haley can be remembered as the one who sang Niel Sedaka’s “Breaking Up is Hard to Do” during the Top 12 Male Performances episode. His rendition of the song didn’t impress any of the judges that night. Simon even told him that he needs some fresh air and sunlight. And in a very rare event, Randy agreed with what Simon just said.

Colton Berry, on the other hand, was pitted against Chikezie Eze first before he received the news that it was also his time to bid the show goodbye. Simon frankly told him that he doesn’t see a musical career in Colton ’s future. Simon also advised him to find a day job instead and just sing for fun. On the top 12 Male Performances episode, Eze sang Elvis Presley’s “Suspicious Minds.”

The first female to receive the bad news was 25-year-old Amy Davis. She sang Connie Francis’ “Where the Boys Are” on the Top 12 Female Performances episode.

Joanne Borgella and Amanda Overmyer stood beside each other until the second female to leave the show was announced. Plus-sized model Borgella was the unfortunate one. Her rendition of Aretha Franklin’s “I Say a Little Prayer” on the Top 12 Female Performances episode certainly didn’t please anybody at all.

Watch the remaining 20 finalists as they all compete for the title American Idol.

For more resources about American Idol or for the full story of American Idol 7: Top 24 Results Show Recap please review http://www.buddytv.com

The Future Of Album Cover Art

As we conclude our four-part article series on album cover art, let’s to peer into the future and see what lies ahead for vinyl records and album cover art. Joining us again for our discussion is Vinyl Record Day Founder and vinyl businessman Gary Freiberg (www.RockArtPictureShow.com www.VinylRecordDay.org).

“The introduction of the compact disc and of course the new required player was nothing new in the history of recording. Ever since Thomas Edison introduced records in 1877 record companies have periodically changed the format of how the recording is listened to,” Freiberg explains. “Edison’s first records were round cylinders that slipped onto a spindle, then records became flat, a disc. Now everyone had to go out and buy the new disc player, the flat record phonograph, and replace their old cylinder records with flat ones that played at the 78 rpm speed. Years went by and Columbia invented a new speed, the 33rpm. Again, consumers had to replace that old 78rpm phonograph and buy new phonographs that played the new 33rpm speed. RCA didn’t like Columbia introducing their new speed so they came out with one of their own, the 45rpm.”

“In fact, Robert Sarnoff, the president of RCA became furious when Columbia offered him the new speed; it was like Apple offering Sony their iPod technology and Sony turning it down. Sarnoff wanted his engineers to come up with something different, hence, the 45rpm, which if you start with 78 and subtract 33 you get 45 and that’s how that came to be.”

Getting back on track Freiberg continues, “The 33rpm and 45rpm were the leaders until 8 track tapes were introduced, and of course the new player to listen to them. Next were the smaller cassette tapes, and yes, a new player to play them.”

A few years later came the compact disc, and again, a new player to hear them.

Optimistically Freiberg says, “Through the digital revolution vinyl has endured because it has something no other format has, personal connection. No other format has the association we attach to vinyl and our personal history. But that doesn’t mean that when all the baby boomers are gone vinyl will disappear? There is resurgence in vinyl, the generation that grew up on CD’s are recognizing the differences between the formats, they appreciate cover art and the difference in sound. For a generation that grew up playing vinyl, CD’s were a big change, for the CD generation it’s vinyl that is a change. I’m very encouraged about the future of the vinyl record not just from a business point but as a vinyl preservationist and historian. It’s important we preserve our audio history, vinyl is the format that has more of it than any other.”

Moreover, does album cover art add a new dimension to the overall listening experience? As we have learned yes it does. It is a tangible, tactile connection, one you don’t really get with a CD or a download. Yes, CD’s have art and lyrics, but in a shrunken format and certainly it is not the same experience that one would get with an elaborate album cover. There are even a number of record companies who are adding images and art work to downloaded material, but it is virtual, not tactile. And there is another vital reason to appreciate vinyl and album cover art.

“Only five percent of vinyl recordings have been transferred to commercial compact disc,” Freiberg states. “Record companies cannot afford to transfer everything onto CD; it’s not economically viable to do that. For example there’s not much demand for radio broadcasts from the forties. Record companies wouldn’t recoup their costs releasing a CD like that; much of our audio history is not commercially viable so it doesn’t get transferred.”

So who then, is responsible for preserving our audio past?

“Consumers,” Freiberg answers without hesitation. “The public are the custodian of our audio history. We are the ones responsible to make sure our record collection and album cover art is cared for so that we can pass on to future generation the voices and sound of years past. Record companies won’t do it, so it’s up to every person who has a record collection to preserve it for the future.”

How do we encourage today’s society to preserve those “old records” containing recordings that will never see the shine of a compact disc? Gary explains why he founded Vinyl Record Day in 2002:

“Vinyl Record Day.org is the only 501 (c) 3 nonprofit organization dedicated to the Preservation of the Cultural Influences, Recordings and Album Cover Art of the Vinyl Record. The Internet has been the primary avenue for the public to learn of us and our objectives. To raise funds for education and awareness I created the ‘Mural of Album Cover Art.’ It’s our poster child featuring one hundred different album covers from a forty year period and includes music artists from many genres as well as the album covers of many highly respected graphic artists. The Mural of Album Cover Art is not the definitive representation of album covers or the definitive set of covers. It is a representation of the depiction the art form has of fashion, lifestyles and social values as we evolved from the forties to the nineties. There’s a Narrative Guide that annotates each one of the one hundred covers that explains their place in the history of Album Cover Art.” You can check the mural out at www.VinylRecordDay.org.

Freiberg concludes with a touch of irony, “Now the digital age has come full circle. Trying to add value to downloading music, major players like Apple’s iTunes now include cover art with the individual download. Loaded onto an iPod screen, with this latest innovation, record companies have succeeded in shrinking cover art even further than a CD jewel case. A new innovation, however; there is no substitute, no replacement for the historic album cover art that accompanies the musical format that we are closest to, the vinyl record.”

So with record companies trying to add value to download by including specific art work for the individual download, until they come up with a new innovation, there will be no substitute for the old-fashioned and historic album cover art that accompanies the classic music we adore.

Author Robert Benson writes about rock/pop music, vinyl record collecting and operates http://www.collectingvinylrecords.com, where you can pick up a copy of his ebook called "The Fascinating Hobby Of Vinyl Record Collecting."